|
|
|
Edgar Degas After the Bath mk128
80x56.8cm
About 1887-1890
|
|
|
|
|
|
|
|
|
|
Edgar Degas Morning Bath mk128
70x42.8cm
About 1890
|
|
|
|
|
|
|
|
|
|
Edgar Degas Actress mk128
Oil on canvas
129x98cm
About 1884-1885
|
|
|
|
|
|
|
|
|
|
Edgar Degas Conversation mk138
c.1882/83
Pastel
65x86cm
|
|
|
|
|
|
|
|
|
|
Edgar Degas Marine Sunset mk142
ca.1869
Pastel on paper
21.5x30cm
|
|
|
|
|
|
|
|
|
|
Edgar Degas The Models were Degas-s Friends mk145
actress Ellen Andree and Artist Marcellin Des-boutin
|
|
|
|
|
|
|
|
|
|
Edgar Degas Semiramis Building Babylon mk155
c.1861
Oil on canvas
151x258cm
|
|
|
|
|
|
|
|
|
|
Edgar Degas Woman Combing her Hair mk159
c.1886
Pastel on cardboard
53x52cm
|
|
|
|
|
|
|
|
|
|
Edgar Degas After the Bath mk159
1884
Pastel on paper mounted on cardboard
50x50cm
|
|
|
|
|
|
|
|
|
|
Edgar Degas Balletrepetitie MK169
1874
58x84cm
|
|
|
|
|
|
|
|
|
|
Edgar Degas Two wasvrouwen MK169
ca. 1884 Cloth
76x81.5cm
|
|
|
|
|
|
|
|
|
|
Edgar Degas Women on the terrace MK169
ca. 1877 Pastel over monotype on paper 40x60cm
|
|
|
|
|
|
|
|
|
|
Edgar Degas Apres Le Bain mk183
Signed
77x83cm
|
|
|
|
|
|
|
|
|
|
Edgar Degas Danseuse Aux Bras Leves mk183
Sined
Pastel and charcoal on panel
35x26.5cm
|
|
|
|
|
|
|
|
|
|
Edgar Degas The Absinth mk186
1876 Paris muse d' Orsay
|
|
|
|
|
|
|
|
|
|
Edgar Degas Race horses in Longchamp mk178
1871 oils on linen 34x41.9cm
|
|
|
|
|
|
|
|
|
|
Edgar Degas On the race place Jockeys next to a carriage mk178
around
1877-1880 oil on linen
66x81cm
|
|
|
|
|
|
|
|
|
|
Edgar Degas The Bellini mk191
200x253cm
Oil on canvas
|
|
|
|
|
|
|
|
|
|
Edgar Degas Detail of The Bellini mk191
Oil on canvas
|
|
|
|
|
|
|
|
|
|
Edgar Degas Detail of The Bellini mk191
Oil on canvas
|
|
|
|
|
|
|
|
| |
|
|
Edgar Degas
|
French Realist/Impressionist Painter and Sculptor, 1834-1917
French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
|